Wednesday, March 4, 2015

Specialty Climbing Course with Hans Florine and American Alpine Institute

March 31 - April 2 in Red Rock, Nevada

Spend the day with Hans Florine and an American Alpine Institute guide. You can finally do that multi-pitch route in Red Rock you've always wanted to get on! Pick Hans's brain on ways to get yourself out more and cover more ground when doing so. Hans is flexible so if you want to get on a single pitch route or boulder problem and have him work with you on just about any climbing related skill, he is game. Lastly if you have any questions, contact Hans directly at Hans@hansflorine.com.

To register, contact American Alpine Institute at info@alpineinstitute.com or (360) 671-1505

Cost per person, per day: 
1 climber : 2 guides $1075
2 climbers : 2 guides $725






About Hans:

Hans Florine knows speed. He has repeatedly set and broken one of the most coveted speed records in the world: The Nose of El Capitan. In 2012, Hans and climbing partner Alex Honnold took the record again in 2 hours and 23 minutes, lowering the previous record by a full 13 minutes. In 2014, Hans set the record for fastest solo ascent of the Triple Direct. He holds several records throughout Yosemite Valley and around the world.


Hans won the first International Speed Climbing Championships in 1991 and has held the U.S. National title eleven times. He won gold at the ESPN X-Games three years in a row. He is the co-author of “Speed Climbing,” now in its second edition and the producer of the award-winning climbing documentary, “Wall Rats.”


Hans has been featured in San Francisco Chronicle, Sports Illustrated, The New York Times, Men’s Journal, Fitness Runner, Rock and Ice Magazine, Climbing Magazine, Alpinist, Diablo
Magazine, Master Athlete and more.


He is a sponsored athlete for Outdoor Research, KineSYS, Honey Stinger, Petzl, LaSportiva, Blue Water Ropes and NUUN. He is an ambassador for The Access Fund, an active member of The American Alpine Club and supporting member of the Yosemite Fund, Leave No Trace and the South Yuba River Citizens League (SYRCL).


Tuesday, March 3, 2015

Book Review: The Adventure Gap

In the mid-nineties when I was teaching high school and trying to climb every weekend, I began to notice something. I was teaching at an inner city school with an incredibly diverse classroom, but then I was recreating in a place that wasn't diverse at all.

It's no secret that the bulk of those who participate in outdoor adventure sports are caucasian. And while most of us know a few minorities that participate in climbing and skiing, the percentage of those who participate in these sports are miniscule... There just aren't that many minorities playing in the mountains. And that's where Jason Edward Mills starts in his excellent book, The Adventure Gap.


The "adventure gap" is a term Mills coined for this lack of diversity in outdoor adventure sports. As a black man and a writer for several outdoor magazines and newspapers, he has spent a large part of his professional career writing about this gap.  And though Mills profiles several African American outdoor adventurers, the bulk of the book focuses on a single expedition.

In 2013 a group of African Americans set out to be the first all black Denali summit team. Their expedition was aptly named, Expedition Denali.

At 20, 320 feet above sea level, Denali, also called Mount McKinley, is the loftiest perch in the United States. As one of the so-called Seven Summits -- the tallest peak on each continent -- Denali is a much-valued prize on most climbers' bucket lists. Both physically and metaphorically: if you can succeed on Denali, you can likely succeed anywhere.

By summiting this high mountain, the members of the Expedition Denali team wanted to show that people of color -- African Americans in particular -- do in fact have a place in outdoor recreation. The objective was to inspire a new generation of minority youth to seek out and enjoy a relationship with the natural world where they might come to play, pursue career opportunities, and fight for its long-term preservation. Like most climbing expeditions the summit was not the sole goal. And for this expedition in particular, the ascent to the summit would be only the first step. The journey would continue for climbers back home in their communities, where each team member would be responsible for sharing their experience and offering encouragement to those around them who aspire to a life of adventure. 

The expedition was composed of a number of people from different backgrounds. Some of those on the trip had significantly more mountain experience than others. But they all were aware that putting together a team of African Americans for a Denali climb was something different, something that had not been done before.

A point aptly made in the book's narrative is that the opportunity for people of color to participate in mountain sports often simply isn't there. Perhaps the best anecdote in the book revolves around a young climber on the team by the name of Erica Wynn. The story picks up as she pokes around in a library full of mountaineering books.

As she perused the volumes before her, Erica was reminded that many of these stories were dominated almost exclusively by the adventures and exploits of white men.

Young people are exposed to many narratives, and Erica felt strongly that these stories shape our expectations of ourselves and of our lives. It's problematic if we're exposed to a single story and we can't identify ourselves in that story. Like so many young children, Erica had grown up in a culture heavily influenced by Disney movies and found herself unable to relate to the characters in those stories. The white woman in those movies always gets the happy ending and she rides off with her Prince Charming, she thought. Where is my place? My happy ending?

Erica thought of what little black girls would make of the mountaineering stories like those in the library. They'd think they didn't have a place, or that the odds were stacked against them. She knew that Expedition Denali could help change that. It could add a new story and in that way, help women identify themselves in the outdoors in a way they were unable to in the past. 

Racial minorities aren't the only ones that have dealt with this perception. Certainly women have dealt with this as well, but female climbers and outdoor adventurers have made great strides in this arena. And where young women had only few outdoor role models thirty years ago, now they have dozens upon dozens of female sponsored athletes and guides to look up to...

Obviously one expedition is unlikely to change an embedded preconception of who gets to go into the mountains. But every change in perception has to start somewhere. Programs like the one set up to put together Expedition Denali are a great start, but they are just a start. All of us have to be more accommodating to opening up access to the outdoors and to adventure sports for those who don't look like us. It just takes a few programs like this in order to start a trend that might change things; and then perhaps in a few years, there will be a lot of people of color who will be role models for young minority aspiring outdoor adventurers...

Some might say, "but the places where I play are already crowded. I don't want more people there. I want less." This is a valid point, and as an advocate for solitude in the wilderness I hear you...but this is important. It's bigger than our own personal desire to be alone. This issue matters...

The question some may ask is, why does this matter? Mills does an excellent job of answering that question:

African American comprise only a small percentage of people who routinely spend time in nature. Low rates of participation among people of color in adventure sports such as backpacking, rock climbing, downhill skiing, and mountaineering suggest troubling prospects for the future. Very few blacks join environmental protection groups such as the Sierra Club or The Wilderness Society. And an even smaller number can be counted among the corps of professionals in careers dedicated to the preservation and conservation of nature, including national park rangers, foresters or environmental scientists.

 It's estimated that by 2042, the majority of US citizens will be nonwhite. Which begs the question: What happens when a majority of the population has neither the affinity for, nor a relationship with the natural world? At the very least, it becomes less likely that future generations will advocate for legislation or federal funding to protect wild places, or seek out job prospects that seek to protect it.

What happens indeed? It seems to me that Mills has thrown down the gauntlet for those of us who love the wilderness. How will we promote outdoor adventure to people of color? How can we get more diverse people into the mountains? How can we protect the future of the lands that we love...?

--Jason D. Martin

Monday, March 2, 2015

Training: Throws and Deadpoints

The Climbing Movement Essential Training Series on Youtube is kind of awesome. The series is composed of a number of well produced videos that focus on different aspects of training for climbing.

A dynamic throw is a move that allows you to get to a hold that is out of your reach. This particular video will help you train for big moves.



In the video they use a system board for the training. If you don't have a system board you can always find moves at the rock gym that will still allow for this training.

--Jason D. Martin

Saturday, February 28, 2015

Weekend Warrior - Videos to get you STOKED!!!

Xavier de le Rue is at it again with this new trailer for his upcoming film, "Degrees North". The first portion, which is seen in this trailer, was filmed last March in Svalbard, Norway. The team used paramotors (think paragliders with big fans on the back) to access the remote terrain.



Alexander Feichter has been busy ticking off a few hard climbs in Southtyrol, a couple of 8c's and a self-bolted 9a "Witch of Darkness." But his first climb caught on film is the 8c Flogiston, which he makes look much easier.



Stephanie Bodet calls slab climbing a"form of meditation in motion - a yoga of the rock."  Her poetic and passionate vision of climbing is seen in this short film, "Of the rock I asked for the moon" while climbing Octogenese in Corsica.



Have a great weekend! - James

Friday, February 27, 2015

Cold Weather Survival Training for the US Army

The last two days I have been out in the Mount Baker backcountry working with a group of US Army personnel.  The goal of the course was cold weather survival and although not as cold as it could have been we did have some great conditions for learning and a great group of guys eager to learn.




We start the course with a  classroom session and then head into the field to build shelters, cook dinner and spend the night outside.  The classroom session discusses cold weather injuries, and equipment. From there we moved into the field and hiked into the backcountry.  Once there we set up tents and then discussed improvised shelters, and cooking.  










We had a clear and cold night.




www.alasdairturner.com


The following morning we had several lessons, including terrain use, avalanche identification, improvised rescue sleds and white out navigation.  










www.alasdairturner.com


We concluded the course with fire building practice in the woods further down the Mount Baker Highway where we learned that starting fires in the Pacific Northwest in the winter is quite difficult especially when no lighters are allowed.  








www.alasdairturner.com

--Alasdair Turner, Instructor and Guide

Thursday, February 26, 2015

Climbing and Outdoor News from Here and Abroad - 2/26/15

Northwest:

--The body of a 29-year-old Ontario man has been found at a ski resort in British Columbia. Police say the man was snowboarding on Whistler Mountain with a group when he got separated at about 2:30 p.m. Tuesday. To read more, click here.

--There was a minor accident on the Cosley-Houston route on Colfax Peak this week. To read about it, click here.

--The lack of snow at the Mt. Baker Ski Area this season is a bummer for skiers and snowboarders, but it’s also been a big blow to the economy of the nearby communities. The latest casualty is Milano’s, a restaurant in Glacier. Owner Dave Reera announced on the restaurant’s Facebook page on Wednesday, Feb. 18, that it had ceased operations. To read more, click here.


Read more here: http://www.thenewstribune.com/2015/02/20/3647535/low-snow-pack-is-hurting-economy.html#storylink=cpy

--A computer simulation delves 6,600 years into the past to show where volcanic ash would go if Mount Baker blew today. To read more and to see the simulation, click here.


--One of the rarely climbed gems of the Cascades was climbed this week...

Read more here: http://www.bellinghamherald.com/2015/02/22/4143735_computer-simulation-shows-where.html?rh=1#storylink=cpy

Sierra:

--Information about the Yosemite Facelift in the fall is starting to be posted in this thread.

Desert Southwest:

--There was a significant graffiti event in the Calico Basin or Red Rock Canyon this week. Info is still scarce and images of the damage have been removed from the net. More info to come...


--Registration for this year's Red Rock Rendezvous is now open. Rendezvous will take place in Red Rock from March 27-29. To learn more, click here.

--It snowed this week in Las Vegas and in Red Rock Canyon, and as always, the Las Vegas Metro SAR team was there to help an injured climber in Icebox Canyon. Check out the video of the helicopter rescue below.



--A private landowner has closed off access to a narrow slot canyon beloved by hikers at the northwestern edge of the Lake Mead National Recreation Area. Visitors to Anniversary Narrows used be able to turn off the main route through the recreation area, drive up a few miles of dirt road and park right at the mouth of the canyon. Then, sometime last month, the road was gated shut by the owner of a 150-acre tract that lies between Lake Mead and the Muddy Mountains Wilderness Area, cutting off the only direct route to the slot canyon. To read more, click here.


Colorado:

--One person was killed in a avalanche/snow slide in an out-of-bounds area of Aspen Mountain Monday afternoon. Two skiers were caught in the slide, according to the Pitkin County Sheriff's Office. To read more, click here.

--A 22-year-old skier was killed at Breckenridge Ski Resort this week. The circumstances surrounding his death have not been released. To read more, click here.

Notes from All Over:

--Avalanches caused by a heavy winter snow killed at least 124 people in northeastern Afghanistan, an emergency official said Wednesday, as rescuers clawed through debris with their hands to save those buried beneath. The avalanches buried homes across four northeast provinces, killing those beneath, said Mohammad Aslam Syas, the deputy director of the Afghanistan Natural Disaster Management Authority. The province worst hit appeared to be Panjshir province, about 100 kilometers (60 miles) northeast of the capital, Kabul, where the avalanches destroyed or damaged around 100 homes, Syas said. To read more, click here.
--Recent snow accumulations and temperatures could make off-trail skiing conditions dangerous, Vermont State Police said Thursday. Police have responded to six lost skier calls since Feb. 1. This month’s incidents represent half of such incidents that have occurred so far during the 2014-2015 ski season, police said. To read more, click here.

--Two teenage boys were rescued after becoming lost outside the Attitash Ski Resort in New Hampshire this week. To read more, click here.
--AAI guide Shelby Carpenter just had another article posted on the Outside magazine site. Her article concerns injury recovery for athletes and how fear may hinder full recovery. To read the article, click here.

--As the National Park Service nears its 100th anniversary, the parks it manages are more popular than ever. Visitation to national parks broke a long-standing record last year, with more than 292 million visits. The previous record was set in 1987. To read more, click here.

--Starting next fall, fourth graders and their families can visit any of the United States' 59 national parks for free. President Barack Obama unvield his Every Kid in a Park initiative in an effort to get more young people off their phones and out the door, the Washington Post reported. The program will launch at the beginning of the 2015-2016 school year, which overlaps with the National Parks Service's 100th birthday. To read more, click here.

--The 2015 Copp-Dash Inspire awards have been announced.

--Here is an excellent article about the use of outdoor adventure sports to treat PTSD in veterans.

--Everest journalist Alan Arnette has a great perspective on the situation on the mountain this year. He writes, This past week, there has been extensive media coverage of a “new” route on Everest. Once again, shallow journalism has misstated reality. The fact is that there is not a totally new route but rather a small change within the Khumbu Icefall that amounts to about 4% of the traditional Southeast Ridge route being effected." To read more, click here.

--On Saturday, February 7th, a catastrophic fire burned down the New Paltz Climbing Cooperative, a community climbing and training facility. The space was like a second home to its over 100 members, and it brought people together in a welcoming, judgement-free zone. No one was hurt in the fire, but there is nothing left. The members of the gym are currently trying to rebuild with a "GoFundMe" campaign. To read more, click here.

--A new route has gone up on the infamous Troll Wall in Norway. To read about it, click here.

Tuesday, February 24, 2015

Photography on Denali - What Camera To Bring and How To Carry It While Climbing The Mountain



This is the Time of year that many people who are planning to climb Denali start to think about the equipment and gear that they will be bringing on the mountain with them. Most of the people who climb Denali make the decision to bring a camera along with them, and just like any other gear, the choice of a camera can be a difficult one. Between person and guiding trips, I have not been that he Alaska Range more than ten times and have never left my camera at home. I have seen many different types and brands of camera on the mountain and some are clearly better than others. Which camera is right for you, and how you plan to carry it depends on what your photographic goals are, but no matter what camera you bring along there are some things you will need to do both before and while on your trip to assure you come home with great photos to accompany your great adventure.

Like it or not some cameras just don't work in the extreme environments of a very cold mountain such as Denali. Many small cameras that use proprietary batteries just don't hold up to the cold temperatures. The camera works fine, but the batteries are just not designed for the extremely cold temperatures. Large SLR cameras work great but are very heavy which rules them out for all but the most serious photographer. Luckily there are many camera options that work on Denali and I hope to give you some ideas of which one will work best for you.
Point and Shoot vs SLR

A point and shoot camera is lightweight and easy to carry and cheaper; a single lense reflex (SLR) is bulky and heavy and expensive. Most people I know use point and shoot cameras, and for most people they are the best option. I carry a Nikon SLR with a multi purpose zoom lens (and sometimes a tripod), because it allows me more freedom to shoot the exact photo I want. The debate here goes on forever all across cyberspace. Everyone seems to have an opinion, but almost no one has had the experience of dragging multiple different cameras up Denali. So what is the best option for you? The answer lies in how serious you are about your photography and how much weight you are willing to carry.


SLRs

If you are a very serious photographer then by all means bring along an SLR, but remember, when you get to 11,000ft on the mountain you will begin to worry about how much weight you have. It is amazing the amount of items that get left at caches because they were just too heavy to carry.

Lenses

If you do bring an SLR bring just one lens. Find a multi purpose zoom lens that will give you many framing options. You will not be able to wander away from camps or off the regular route to shoot the exact photo you want, so having some sort of a zoom lens will be a necessity. There is lots of light on Denali. Even during bad weather there is more light that you need for photography so you do not need a fast lens. This is good news, because fast lenses are expensive and heavy. Many of the standard kit lenses are a great choice. If you use a nikon the Nikon 18-200 is a great option that I have used on the mountain several times.


Point and Shoot


Specially designed "rugged" cameras that are supposed to be extra tough are terrible. I have never seen one of these work effectively on the mountain. You do not need a waterproof camera on Denali. The water is frozen, and the air is very dry. Even if your camera does get a little wet it will dry out quickly in the sun.

I have attempted to use GoPro cameras on the mountain several times, and while they work fairly well initially, the battery life is a deal breaker. GoPro has still not figured out their cold weather battery issues and until they do you should leave your GoPro at home. It will only last a few mins in cold temps.

So what works, and what does not? In my experience any camera that uses AAA or AA batteries is a great choice. There are several cameras that do work well on the mountain not all of them use AA or AAA batteries but all have good battery life. Another feature that is nice to have is a eye peice viewfinder vs. an LCD screen. Some screens do not work in cold temps, and it is often too bright to see the screen even on cloudy days. The screen also uses a lot more battery power. Below are a few compact cameras I recommend:

Subcompact:

Nikon Coolpix L840 A nice camera that shoots high quality photos

Cannon G16 The best of the best for small cameras. Buy extra batteries as it does not use AAs.

Pocket:

Panasonic Lumix None of the Lumix line use AA batteries, but they do have very good battery life and great lenses.

Sony WX350 Another good pocket sized camera with good battery life, but bring extras.

How to Carry Your Camera

Now that you have your camera you need to figure out how to carry it. Don't stick it in an inside pocket. I often hear people say you should keep the camera warm by sticking in your clothing. Don't do this. You are the only source of moisture on the mountain.

Carrying is easy with a point and shoot type camera, because it fits nicely in a pocket (an outside jacket pocket that is). I recommend a small camera case that fits on the shoulder strap of a backpack similar to this one. This keeps the camera close by for quick use and outside clothing so there are no potential moisture issues.

For a large SLR I sometimes will keep the camera in my pack to protect it, but most of the time my camera hangs on the hip belt of my backpack. I use a top loading Lowe Pro Case like this one.  This allows me to get to the camera quickly, but can be a bit annoying when I am on more technical terrain. Another option that I have seen with SLR cameras is to hang it between the shoulder straps so it is right in front of you. From a comfort perspective this is not my favorite option, but you should try several different things to see what works best for you.

Cold Weather Camera Use

One of the most common myths I hear about camera use in the mountains is that the new digital cameras don't work in the cold. I have never seen a camera that does not work in the cold. The working temperature range for most electronics is well below the temperatures you are likely to encounter in the mountains. So your camera will still work. SLR camera shutters start to fail at about -40 ambient temps. It won't get that cold on denali. There are however some parts of your camera that could be less likely to work in very cold weather, so if you are going to Denali or Antarctica, keep reading; if not, you can skip to the next section.

Very cold temperatures do effect some non essential parts of a camera directly and other parts indirectly. One example is the LCD screen on the back of a camera. These can freeze at low temperatures, or just not work quite right, so you can't depend on that. Get yourself a camera with a view finder so you can see what you are shooting photos of. In VERY cold and dry conditions, even an eyepiece viewfinder can be a problem. On one trip I did to the Alaska Range, every time I held my camera up to my eye, my viewfinder fogged from the moisture near my body. These were the coldest temperatures I have ever encountered, and it is not likely that you will see these types of conditions. To put it simply, your camera is actually better suited to working in the cold than it is in extreme heat. On hot sunny days, don't leave your camera in the car. The batteries are another story that we will discuss next.

The problems most people encounter with their camera in cold weather are only indirectly related to the cold weather and can be avoided by a few simple rules. This brings us to the second most common myth of cameras in the cold. I often hear people say they keep their camera in their jacket so it stays warm. This works great with water bottles, but is not a good thing to do with a camera. Picture walking into a warm room with glasses on after having been outside in cold weather. Glasses fog, and so will a camera the second you put it back in your warm jacket. As long as it is dry outside, keep it outside. Cold is not your cameras enemy, changes in temperature are. This moisture problem applies to the inside of your tent as well. Tents can be very moist. I keep my camera in my backpack out of the tent at night and hanging on the outside of my backpack when I am moving during the day.

Batteries

Your camera won't have any problems in the cold, but your batteries might. Batteries do not loose their power in cold weather; they are just not able to give quite as much of it up. So as soon as a battery is warmed up, it is good again. Older metal hydride and nickel cadmium batteries are not very good in cold weather. Battery technology is advancing very fast, and this has been a great thing for digital cameras. Most new camera batteries are Lithium ion. They are expensive, but they work well in the cold. If you camera uses over-the-counter AA or AAA, buy the more expensive lithium ion batteries. They will last twice as long and save you money in the long run.

If you don't want your camera to die on summit day, spend some time learning how long your batteries last. I know that given normal temperatures I can shoot all the photos I want with my Nikon SLR and spend a lot of time reviewing them and not run out of battery power for any trip three weeks or less. I carry two extra batteries just in case on Denali, and almost never carry an extra for any other trip. I have never run out of batteries with this system, but cameras vary. You should know about how many photos your camera can shoot on one battery and then subtract 30% to know what you might get in cold weather. I have seen lots of battery failures on small point and shoot cameras. I feel like more of these camera have problems than don't so be very careful which camera you buy. If you can find one that uses AA batteries that is the best option. Either way you will need to bring lots of extras on a long trip. No matter what you do make sure you have one fully charged battery for summit day. I have seen a lot of people come home with no summit photo because their battery died.

Moisture

The only time I would think about leaving my camera at home is in very rainy weather, for example, the Cascades in early spring. Even then I usually bring it along anyway. Moisture probably won't completely kill your camera, but it might. Keep your camera in a plastic bag if it is raining. Skip the long photo sessions, since they probably won't be great photos anyway. I always try to think about where the most moisture is and keep my camera somewhere else. I will remove the camera from the plastic bag quickly shoot and then return it to the bag. Sometimes I open the bag poke the lens out and leave the rest of the camera in the bag while a shoot a couple of photos. I keep my camera in the tent when I am in wet climates and outside the tent when I am in Alaska. Remember, snow is not the same as rain. It is a lot easier to keep a camera dry in the snow than the rain. If your camera ever does get wet, immediately take the battery out and do not use it for the rest of the trip. Attempt to dry it out as soon as possible by leaving it in the sun or some other warm (not hot) area. Get a bag of rice wrap the camera in cheese cloth and bury it in rice for a week. I have heard of some people putting their electronics in an oven to dry them out, but I don't suggest you try this. I just had an amusing email from a fellow guide asking for everyone's phone numbers after cooking his phone in the oven and losing all the data. Heat is one of the primary enemies of electronics.

I just returned from a trip to Antarctica where temperatures were the coldest I have ever encountered. I spent some time shooting in volcanic vents which are warm and very moist. This creates some of the most difficult conditions for shooting that exist. In order for the camera not to fog the second it is taken into the cave it must be the same temperature as the cave. The temperatures outside the cave were -20 and inside they were often above freezing (thats over a 50 degree change). I entered the cave with the camera sealed inside a ziplock bag and placed the camera on the floor (the warmest part of the cave). After finishing all my other work I then pulled the camera out to shoot photos which was sometime as much as an hour after entering the cave. This is the only way to shoot in this type of environment.

Camera Use


The most important thing about having a camera in the mountains is using it. The best thing about shooting digital photos is that it does not cost you any more to shoot more photos. You won't automatically get better photos because you shoot more on a given trip, but if you consistently take a good quantity, two things will happen. You'll accelerate your learning of what works and what doesn't work in creating quality images, and if it becomes automatic to be taking photos throughout the day or throughout a climb, you are unlikely to miss great photographic opportunities - many of which are only there briefly. Shoot away!

--Alasdair Turner, Instructor and Guide